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"Your magnificent brilliance on stage always creates a collective aura of magic during your performances. Last night your improvisational presentation captured the audience (as you saw no one wanted to leave!) And I am with you and Ornette Coleman in the belief that music can cure the world - of mental AND physical ailments."
"In other words, you were slammin'!!!"
– Mercedes Ellington on Antoinette's Metropolitan Room performance, April 24, 2016
ANTOINETTE IN THE MEDIA
Brooklyn College Television and Radio
with Host Randall Keith Horton
Guitarist and Vocalist, Solomon Hicks
Drums, Phil Young
Pianist, Roger Anderson
Bass, Kevin Harris
Produced, Directed & Edited by Danielle Petito
Jazz and the Blues w/Class & Sass
by Les Henson
March 8, 2016
“Ladies and gentlemen this afternoon I’m proud to present to you the incredible Ms. Antoinette Montague!”
It’s Valentine’s Day, downtown Newark at Nico’s, the supper club attached to NJ PAC. Dorthaan Kirk, music maven and widow of jazz icon Rahsaan Roland Kirk, presents monthly Sunday Jazz Brunches. Ms. Kirk has just introduced today’s talented musical artist… Antoinette Montague, aka “Jazzwoman” is originally from Jersey and so this is her house today and these are her people, in this sold out room. But she always makes it her house no matter if she’s uptown in Harlem at Minton’s, over the bridge in Brooklyn at BAM, at jazz vespers in church or on tour in Europe or Russia. The crowd and the room become hers because she performs on a level that gives her audience 110%, and then some, anywhere she brings her act.
Now, while the chef at Nico’s was busy in the kitchen preparing our buffet brunch, Ms. Montague was on stage serving up a musical feast. First were the tasty hot opening appetizers. Her band, led by Danny Mixon on piano, played an instrumental called Blue Bassa. Then Antoinette hit the stage and belted out a medley that included Blues in G, Havin’ a Good Time in Newark and a rollicking, call and response, with Let the Good Times Roll. She followed that with a smoky rendition of I've Got You Under My Skin.
Next came an uplifting serving of Shirley Horn’s signature song Here’s to Life. By adding a little salsa to an old Debarge hit from the 80’s All This Love, Ms. Montague made everyone want to get up and do the cha-cha. From the iconic Broadway musical, My Fair Lady, Antoinette sang us a swinging delicious entré, On the Street Where You Live, that was reminiscent of another sassy singer, the Divine Sarah Vaughn. Sizzling next was a rousing version of Try a Little Tenderness. Otis, did you hear her? And in remembrance of Maurice White, who recently passed, she offered up the Earth, Wind and Fire anthem, September.
There were some exotic side dishes too; starting with a little something you might call Hip-Bop rather than Hip-Hop. Antoinette cooked up a jazzy arrangement of rapper Drake’s hit, Hotline Bling. Talk about turning the tables, this table was completely flipped over but it absolutely worked. The rhythm section led by journeyman drummer, Winard Harper, and all-star Stanley Banks on bass gave this arrangement the new groove it needed. The next time that I hear the Drake version, I’ll find myself wishing it was done in Antoinette’s Hip-Bop style. Other side dishes included Horace Silver’s Song for My Father and a prayerful tune that she herself composed, And So It Is.
Well, this tasty meal was almost over, so for dessert Ms. Montague donned a golden cape and transformed into her alter-ego, “Jazzwoman.” Using Lavern Baker’s R&B oldie Jim Dandy to the Rescue, as the backdrop, she took us on a tour-de-force journey through jazz history. Antoinette has a program for schools in which she uses “Jazzwoman” to teach students about the history of jazz, the only true original American art form. On Sunday she gave us a pastiche going back as far as Sister Rosetta Thorpe’s gospel song, Didn’t It Rain. Accompanying her on this trip was a young man, King Solomon Hicks, who, on guitar, picked some rockin’ Chuck Berry, Johnny B. Goode licks. Then she gave us A Wonderful World by Satchmo, Louie Armstrong and ended with A Tisket A Tasket from the great Ella Fitzgerald.
Finally Jazzwoman took off her cape. The lady has given her audience the aforementioned 110%, and then some. She assumed her true identity and Antoinette Montague closed her show. Then she came down off the stage at Nico’s to press the flesh with her fans, her friends and her family, that had come to this house to see her perform in another room that she had once again, most definitely made her own.
Hot House NYC Jazz Awards Night 2015
Wednesday, September 16, 2015
Antoinette Montague, MC
For the full video of the award show, go here:
Jazz Woman to the Rescue is a foundation in the works.
It's historic as it visits Ella Fitzgerald, Louis Armstrong, Duke Ellington and living Jazz Heroes on the band stand.
There are 2 elements to the Jazz Woman foundation. "The Play it Forward" program of encouraging people to take old instruments and give them to disenfranchised children.
The second prgram is "Put it Back!" The push for citizens to contact local schools in their community to ask if they have an arts education program for their students. If not, we as taxpayers insist they Put it Back! into the curriculum.
Jazz Woman to the Rescue helps with donated instruments and assigns a roster of artists to provide low cost musical education in after school programs and/or designated study slots.
We are currently reaching out in search of grants and donor funding to enable us to bring these two programs to more schools and children.
“My Grandfather said of Ella Fitzgerald that she was 'BEYOND CATEGORY,' and I would like to say the same of Antoinette Montague, that she is 'beyond category.’ "
Mercedes Ellington, CEO
The Duke Ellington Center for the Arts
A personal review of Antoinette's 02-15-15 performance at Syracuse:
Thank you so much for your performance. You are a gifted performer. Your diverse repertoire and your audience interaction was very refreshing. We especially enjoyed your spontaneous rendition of ‘Young Gifted and Black.’ You project yourself with such conviction the listener has no choice but to be moved. Your enthusiasm on the bandstand is contagious.
We gave a ride to one of Vicki's interns who is from India and a freshman at SU, she had never been to a jazz concert before or exposed to jazz music of any nature. She indicated that she enjoyed it and asked if that was how all jazz concerts were my nephew who is a jazz musician quickly replied "NO" but that's how they should be.
Thank you again. We look forward to hearing you live in the near future. But in the meantime, we shall continue to chant "Jazzwoman" to the rescue.
Jamie Lou McKinney
A personal review of Antoinette's 02-14-15 performance at FlushingTown hall:
SUPERB concert last night at Flushing Town Hall. Thank you so much for making so many people so very happy–and your band is Amazing!!!!
Executive and Artistic Director
Flushing Council on Culture and the Arts
Antoinette and her group hit town like a fast freight train and delivered an engaging, high-energy show that showcased veteran talent, Danny Mixon, Chip White, Paul Beaudry, and the best of the next generation, Christopher McBride, Solomon Hicks. Our audience responded in kind – standing ovation. Kudos to the supremely talented Antoinette and the dynamite show that she assembled for our event.
Larry Luttinger, CNY Jazz Central
Photo credit: Tony Graves. Antoinette Montague Quartet with Danny Mixon at a sold out performance at Dorthaan’s Place at New Jersey Performing Arts Center, March 2014.
RECENT PRESS COVERAGE:
Click here to see Antoinette on WBGO's photoblog.
Click here to read coverage of Antoinette's triumphant return gig at the Central New York Jazz Arts Foundation Black History Month Cabaret in Syracuse.
View John Herr's Picasa photo album of Antoinette's performance at the Sheraton University Ballroom, February 13, 2011 here.
Click here to see Antoinette interviewed by Jackie Lennon on "Jackie & Company" Friday, April 8, 2011 12:30 am. Time-Warner Cable CH 67/69, RCN CH 85, Verizon CH 36.
Born and raised in Newark, Antoinette Montague considers Carrie Smith, Etta Jones, Della Griffin and Myrna Lake to be her mentors. Antoinette has worked extensively in the New York area during the past decade with such musicians as Bill Easley, Norman Simmons, Winard Harper, Wycliffe Gordon, Frank Wess, the Duke Ellington Orchestra and Mike Longo's New York State of the Arts Orchestra. more info...
|Accolades for Antoinette
“Montague has a voice that is immediately appealing, and is adaptable to the variety of tunes that she has chosen for the album. Her sound is smooth with a soulful edge. She never gets tied up with vocal excesses, emphatic when she needs to be, and tender at the appropriate moments.”
“Antoinette Montague has a powerful voice, the ability to hold long notes without wavering, and a knack for making every song sound bluesy.”
“Jazz players love to accompany a genuine jazz singer and Antoinette is as real as they come: good range, phrasing and taste.”
“Her lusty and soulful voice reaches your most inner core. Her strength is combining the heartfelt passion of the Blues with the sophistication of Jazz.”
© 2016 Antoinette Montague